Circle of Stitches

Fine Yarns & Witchy Goods for Fiber Witches

Tarot Journaling

Catherine FaheyComment

I’ve been journaling since I was 12 years old, and my 7th grade English teacher Mrs B got me into the habit. She started every class with 10 minutes of writing. Sometimes there was a prompt, sometimes it was free writing. We were expected to write, and every few weeks she’d check our journals for quantity, not for content. That wiring practice has served me well throughout my education and professional life. 

Some years I’ve kept diaries, some years I’ve tried Bullet Journaling or other productivity methods. I’ve tried to keep different notebooks for different things: one for work, one for creative writing, one for tarot, one for dreams. But the pandemic has shown me that I work best when I have one notebook going at a time, and I use it for everything. I’ve been journaling for 30 years, and I have 51 notebooks filled. 

Along the way of learning to be the best journaler I could be, I tried a lot of different ways to keep track of tarot cards and spreads. 

I’m not an artist- I can’t draw. I’m a writer. So my journaling reflects that. But I needed to find a way to record spreads. For a while, I used the Day One app to keep track of spreads, where I found the spread, and the reading I did. I liked this, for the visuals and the ability to tag entries, and to get “on this day” style reminders. But I’m not as prolific a writer on my phone, and they went from a pay once to a monthly subscription model, so I’m not using that any more. 

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I map out the spread with numbers to show the shape of the spread, and then I list the cards. Then I go through and write down the individual meanings and impressions and finally I synthesize the meaning. This has been consistent practice for me over the years.  Here’s a reading from January 2008 showing this technique. 

Over the years I’ve also tried to maintain a daily draw practice. I also had an Instagram account where I posted my card of the day. Every morning I’d pull a card and take a photo, and then write a few words while waiting for my coffee to brew. But I got too caught up in chasing likes, and it felt too performative. So I deleted that account. 

For a while I had dreams of data analysis so I kept a spreadsheet of my daily cards. That became a chore.  And I never got enough data to do any cool graphs. 



Eventually I realized that I love analog journaling. I prefer the feel of pen on paper (especially if I’m using one of my fancy fountain pens).  So late 2020 I ordered the Many Moons 2021 Lunar Planner. There’s just room for only a few lines, so the planner doesn’t generate pressure or performance expectations. 

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I keep this planner, pen and the deck I’m using that month on my night stand. Every night before bed, I draw a card and write a few sentences about what happened that day. The small daily space doesn’t give me the fear of a blank page, and I don’t feel the need to go on and on to fill up space. I just clear my mind, shuffle and draw a card, and then write it down, along with a few words about the day. It’s a small ritual of putting the day behind me so I can go to bed. This is working better for me than any other daily tarot practice. 

Do you keep a tarot journal?  How do you keep track of readings or daily practice? 

The Comfort Fade Cardi: Falling in Love with La Bien Aimee

Ana CamposComment
Photo courtesy of La Bien Aimee

Photo courtesy of La Bien Aimee

As a shop owner, there are fiber artists who I dream of working with. Aimee Gilles, the creator behind La Bien Aimee, is one such artist. I’ve followed Aimee’s work for a few years, and I am always looking for opportunities to support fellow BIPOC makers. I had seen Aimee’s Merino Singles in person before, but hadn’t seen her Merino DK until boxes brimming with absolutely stunning La Bien Aimee yarn arrived at our door last week. Since then, I have fallen deeply in love with this yarn.



Maybe you’ve heard of Andrea Mowry’s Comfort Fade Cardi. I had seen it, but honestly hadn’t looked too closely since La Bien Aimee was still a distant dream. But as soon as we opened the boxes, folks came down to the shop to pick color palettes to make their own cardis!

Photo courtesy of La Bien Aimee

Photo courtesy of La Bien Aimee

After we helped several folks pick beautiful fade sets, I just couldn’t resist anymore and had to create my own fade. Of course I had to cast on immediately, and at that point I fell hopelessly in love.

Aimee’s colors are stunning, with subtle layering and the most beautiful array of speckles. I could tell the yarn was soft in the skein, but once I got it on my needles, I couldn’t believe the softness. Aimee’s Merino DK has a gorgeous hand. It’s smooth, super soft, with crisp stitch definition, and of course, stunning colors. I am absolutely mesmerized watching the colors dance back and forth on my needles. In fact, I can’t wait to wrap up this blog post so I can go back to knitting it!

My fade: Ayre, Dusk, Fauna, Loam

My fade: Ayre, Dusk, Fauna, Loam

Andrea describes this cardigan as your own canvas for painting with yarn, and it truly looks like you’re knitting your own watercolor painting. Below are some of the combinations we’ve put together so far, but the possibilities are endless! If you’re feeling inspired, come on over (in person or virtually) and let us help you put together your dream palette!

Andrea’s original fade: Vespa Graffiti, Vespiopeia, Drea, Cassiopeia

Andrea’s original fade: Vespa Graffiti, Vespiopeia, Drea, Cassiopeia

Ana’s fade: Ayre, Dusk, Fauna, Loam

Ana’s fade: Ayre, Dusk, Fauna, Loam

Melanie’s fade: Fauna, Siena, Dusk, Doe

Melanie’s fade: Fauna, Siena, Dusk, Doe

Knitting Tip: Avoid a Gap When Binding Off Mid-Row

knitting, knitting techniquesAna Campos3 Comments
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You’re happily knitting your bottom-up sweater, and you finally get to the neck shaping. You knit along your row and start binding off for the neck and there it is… the pesky gap. If you’re anything like me (a completely neurotic virgo), the asymmetry of the mid-row bind off makes you a little uneasy. The good news is the fix is super easy!

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Knit to 1 stitch before where you’re going to start your bind off (shown with a marker in the photo above). You’re going to kfb (knit in the front and back loop) of the next stitch (the stitch before the bind). This will give you an extra stitch to bind off, and will make your neck shaping clean and symmetrical!

That’s it! Start your bind off with the extra stitch from the kfb for a cleaner neckline!

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How to Start Reading Tarot

tarotCatherine FaheyComment

Reading tarot is a simple as shuffling the deck, asking a question, and turning over a card to get the answer? 

Yes…. and also no. It can be that simple, or it can be complex. If you’re just starting out reading tarot, it can be overwhelming to see a more practiced reader make it look simple. If you’re new to tarot, and wondering where to start, read on. Also, if you’re an experienced reader, and want to reboot your practice, 

When you get a new deck, you should start by looking at all the cards; making sure they’re all there. You might come across a few extra cards, and you can lay those aside for now. You’ll see that the cards are packaged in order: first all the major arcana, and then each suit from Ace-King. A large part of reading tarot is the randomness of turning over cards, so you want to mix up your deck. Shuffle the cards. You can do a riffle shuffle or an overhand shuffle, or anything that works to randomize the deck. You can even spread the cards out on a flat surface and just whirl them around in a game of 78 card pickup. Once your cards are nice and mixed up, collect them, and neaten the deck. 

Now, to start reading! Shuffle the cards again, this time do so while thinking of a question. A good question to start with is  “What do I need to know today?” 

When you feel you’ve shuffled your deck sufficiently, stop, and turn over the top card. This will be the answer to your question. 

What’s next? How do you go from the picture on the card to an answer? 

Start by looking at the card. Are there people or characters there? What are they doing? What objects are present? What is in the foreground of the image, and what is in the background? What symbols are present? 

If you want to go deeper into image analysis, check out these lessons from the U.S. National Archives, the Getty Institute, and Understanding Media.

As you’re doing a visual analysis, you’ll be creating meaning. You’re adding your own experiences and associations to what is present in the card. 

I drew the Seven of Pentacles from The Melanated Classic Tarot

Seven of Pentacles from The Melanated Classic Tarot

Seven of Pentacles from The Melanated Classic Tarot

A young Black man in quasi-medieval European clothes leans on a hoe or shovel or some other garden tool. His head is in his hands. He’s looking at his plants, which are pentacles. They’re full and lush, and have green leaves. But they’re not ready for harvest yet. He’s waiting, maybe impatiently. Or maybe he’s staring at the crops, wondering if it’s all worth it—all the hoeing, raking, weeding, planting. Will it be enough? Will his work be enough? In the background, there are rolling purple hills. The sky is blue, and the man has a bright light aura around him. 

How does what you see help you answer your initial question? Start to to put the pieces together. 

My question is “what do I need to know today?” Maybe my answer is I’m doing a lot of hard work, and I’m not sure if it’s worth it. Maybe my answer is that I still have a lot of work to. 

Next, look up the meaning. Almost all tarot decks come with a little white book (LWB) that will give you a basic explanation for the interpretation and meaning of each card. Read that for your card, and see if it matches up to what you came up with during your visual analysis. 

The Smith-Waite Tarot Deck Centennial Edition showing the cards, box and Little White Book

The Smith-Waite Tarot Deck Centennial Edition showing the cards, box and Little White Book


Add what you learn here to what you learned from the visual analysis. How does the answer to your question change and grow? 

The LWB is a great place to start, but you can go deeper. Some decks have a larger paperback that accompanies the deck, and will go much deeper into symbolism, color choice, artistic layout. If my deck has such a book, I find it to be a worthy investment.  Another option is to get a book that is about tarot in general.  Some of my favorite books about tarot are Rachel Pollack’s 78 Degrees of Wisdom, Michelle Tea’s Modern Tarot, and Mary K. Greer’s 21 Ways to Read a Tarot Card. If you have one of these books, or another tarot book nearby, take a look at it. Read the entry on your card. What does it add to what you already know?  How does this new information change the answer? 

The Little White Book from the Smith-Waite Centennial Tarot on top of Modern Tarot by Michelle Tea

The Little White Book from the Smith-Waite Centennial Tarot on top of Modern Tarot by Michelle Tea

Tea’s Modern Tarot entry on the Seven of Pentacles states with the sentence “When the Seven of Pentacles appears, it’s break time” (p.285). This is something I hadn’t considered  or discovered in my visual analysis, and it adds a new layer to my interpretation of the card. Maybe the figure is looking at the pentacles and is pleased and proud of the progress he’s made.  

What do you do with this information? You can start a tarot journal, either in a paper notebook or online somewhere (google doc, instagram handle), where you keep track of the cards you draw and your interpretations of them.  Another idea is to take a notebook and at the top of each page, write the name of the card. Under it, put your notes and thoughts about meaning. 

Experienced readers: What other advice would you give to folks just starting to read tarot? 

Beginner readers: You should be ready to start reading! Find a deck, give it a shuffle, and pull a card!

Want to deepen your tarot studies? Join us for Introduction to Tarot in June!

Meet the Druid: Rochelle New of Home Row Fiber Co.

Ana CamposComment
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I met Rochelle on Instagram in 2017 and fell in love with everything about her work. Her Craft Real Magic line spoke to my fiber witch soul, and all her pieces are unique, beautiful, and meticulously handcrafted. I finally worked up the nerve to email her about stocking her project bags, and imagine my surprise when she said she visited my shop a couple of months prior, on her way back from Rhinebeck! Four years later, I'm so happy to call this wonderful human a close friend, and I'm thrilled to share her story with you (and you just might catch her at one of our Virtual Stitch Nights)!

- xo, Ana

Rochelle, I'm so excited to tell everyone how awesome you are! You're the creative force behind Home Row Fiber Co, where you design and make beautiful project bags, dye yarn, and make other gorgeous goodies. Can you tell us how Home Row came to be?

Ana! I'm so thrilled to chat with you about all things magic and making! Those two practices are so powerful and so intertwined, and the way you present both through Circle of Stitches is really quite brilliant. I walked into your shop for the first time and felt I was home.

I think the easiest way to sum up what Home Row is to me is to tell you why I chose that name. If you've ever taken a traditional typing course you know “home row” is the place you begin and it's the place you return to when you get tripped up in your work and need to reset. As a person who struggles with anxiety and mental wellness I find that concept to be so fundamentally grounding, so relevant. I also fancy myself a homebody and a hedge Druid, plus the word “row” is obviously a recognizable and familiar word for knitters. Home Row is where I start and it's where I return to when I'm lost. It's the picket fence that protects and encircles my ...well my everything really!

What do you want folks to know about Home Row and what goes on behind the scenes?

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I'm truly a one-woman show, I have two amazing feline familiars (Nancy Thompson and Marie Laveau), I'm super into roller skating, I wear wigs sometimes, I’m a disabled maker (and no, disabled is not a bad word) and I'm utterly obsessed with Lord Of The Rings. ...like, obsessed.

Now on to the witchy stuff! Do you identify as a witch? What does that mean to you?

I'm studying under the Order of Bards, Ovates, and Druids so I identify as a Druid. Druidry is an earth-based spiritual religion that's similar to Witchcraft in foundation but there are nuances in practice. Druids of old were persecuted as “witches” so you'll hear me refer to myself as both a Green Witch and a Druid. The way history portrays witches, the way society treats witches, is something I've related to as early as I can remember.

You can't always tell by looking at me now, thanks to modern medicine, but when I was a kid it was inescapably obvious I was born with a rare and sometimes debilitating skin disorder called Lamellar Ichthyosis. As a teen I developed a hormone-related disorder called PMDD. Living with rare disorders can be extremely “othering”. I was often an outcast, alone, and forced to wear a proverbial Scarlet Letter. I have always found comfort in animals and nature before humans, I have always had a small coven-like circle of people I trust and keep close.

Growing up with unique medical needs helped me recognize that there is real magic in the mundane. There is magic in simply existing. There is magic in all things that grow. I have always said: What is science if not an explanation for how real magic works? What is making if not real alchemy? I live by that. 

Walking the Druid path helps me nurture and develop that magic. It also allows me to reconnect with my ancestral Celtic roots while paying respects to the spirits of the land I'm on – Onöndowa’ga:’ land.

How does your Druid practice influence Home Row Fiber Co, and how did that start?

Before I launched Home Row I was a sewing blogger and in my bio I always described myself as a Wielder of Needles and used the tagline Craft Real Magic. One of my most popular bag designs features artwork with hands and needles. The earliest iteration of that artwork, which is a digital tracing of my own hand that’s decorated with a feather and moon block print I carved, was the face of my business cards years before Home Row came to be.

Since I'm a one-woman show that “wielder of needles” and “maker of magic” identity seamlessly crosses over into every single thing I do because that's who I am. My Druid practice has awoken in me a fierce reverence for the earth and how I impact it, for better or for worse. That's why I focus on waste-free sewing practices, plastic-free packaging, and organic low-impact yarn dyeing. Druidry has taught me that everything I do has meaning and connects me to everything else. Even the way I make coffee in the morning can become both a ritual and an offering when I treat it as such. 

You recently launched your Merino Moon Magic line, can you tell us about it?

The image of moon phases is undeniably trendy, especially right now. You can't visit any big box store without seeing a moon phases yoga mat or t-shirt or coffee mug. And I get it! The moon is literally a force of nature that pulls you in (refer back to that “science is magic” concept I mentioned earlier), but for me it's more personal than that.

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With my skin disorder and PMDD I live my life by literal cycles. The waxing and waning of being is something I experience both physically and figuratively. In the past I have resented those cycles but now I want to honor and embrace them. That's not unique to me, I know, I think every person on earth can empathize with shifting cycles of all types, which is why the image of the lunar cycle is so beloved in the first place. To go back to my Merino Moon Magic art specifically, you'll also find a merino skull, some vintage flora in the background, and the words “craft” and “magic” written in the Ogham alphabet. I've always loved skull imagery as a reminder that death and decay is never the end of life as far as the earth is concerned, it's merely a transformation of cells and a means of nourishing the ground as you return to it. Life is magic. Death is magic. You'll also see a lot of green and greenery in general from me, for obvious reasons.

We've worked together on a few projects, which has been so much fun! You've been a regular contributor to our Fiber Witch Box series, which I launched last fall and is such a heart-centered project for me. This Saturday is Local Yarn Store Day, so I'm very excited to share a sneak peek of our special collaboration for LYS Day! Thank you so much for chatting with me!

Thanks so much for thinking of me for this feature, Ana! It's such a rare treat to be able to talk about all things witch-y and wool-y! I appreciate you so much for how you've encouraged me to grow and evolve my practice since we've known each other. You're a light in my life <3

The feeling is mutual, my friend! I think someone is chopping onions over here…